Yin and yang essay

yin and yang essay

Yin liu - turkish - english Translation and, examples

To answer this question, we need look no further than our experience of birth into the world. First of all, there is the experience of the embryo in the womb; the experience of union or fusion and containment within a watery, nurturing matrix. After the traumatic experience of birth and the sudden and violent expulsion from this matrix, the prolongation of the earlier feelings of close relationship, trust and safety is absolutely vital. Without the consistent and loving care of the mother in early childhood, the child has no trust in itself, no power to survive negative life experiences, no model from which to learn how to nurture and support itself or to care for its children. Its primary response to life is anxiety and fear. It is like a tree with no roots, easily torn up by a storm.

Further Explorations Of The, yin

Men and women were part of this process of differentiation. Men (unconsciously) aligned themselves with the creator god and the principle of light. They associated women with nature because of their closeness to instinctual processes and regarded them as an inferior creation, as Plato does in the timaeus. Mythology and religious teaching began to portray the opposition between light and darkness, good and evil, spirit and nature, mind drugs and body. For nearly three thousand and years in the three patriarchal religions that evolved from the middle east, there has been no image of union and relationship between goddess and god, no feminine dimension to the godhead to lend balance and wholeness to our concept. This loss of the divine feminine has endangered civilization and is clearly reflected in the emphasis on conquest and the drive for power over nature which is the ethos of modern culture. yet, it is important to understand that this division of life into two aspects is rooted in the dissociation in ourselves between the conscious, rational mind and the deep, instinctual matrix of soul out of which, over millennia, it has developed. It is because of this dissociation, so difficult to see and understand until the present century, that we have come to divide life into two aspects: spirit and nature, mind and matter. We are now discovering that this is an arbitrary division based on the evolutionary experience of the separation from nature which has been a painful but necessary phase of our evolution. We need to recover our lost relationship with nature and with soul and this may be one reason why the image of the divine feminine is returning now. why is the image of the divine mother so important?

They never became lost in the mazes of the intellect and its rigid metaphysical constructions but, through patience and devotion, were able to realize the difficult alchemy of bringing their nature into harmony with the deeper harmony of life. They did not lose sight of the One. looking back over the past at the evolution of human consciousness, it seems to fall into three main stages. During the first stage, broadly defined as the paleolithic and neolithic eras, humanity lived instinctively as the child of the Great Mother, in magical harmony with her body - creation - and knew life and death as two best modes of her divine reality. Then this primordial experience began to fade as we gradually developed the capacity for self-awareness and reflective thought and with this, the power to develop technology and control of the environment. During this phase human consciousness becomes differentiated from the matrix of nature and nature is imagined as a great dragon - something to be struggled against, overcome and controlled. during this phase of separation, there is a shift of focus from the goddess to the god and a radical split between spirit and nature, dividing the oneness of life into a duality. The god gradually becomes identified with spirit, light, creative mind, and good; and the goddess with nature, matter, darkness, chaos and evil.

yin and yang essay

Essay on Chinese Ethical Systems custom Essays, term

The magnificent lunar myth of Inanna's descent to and return from the gps underworld may be the foundation of the later image of the Shekhinah that emerges in the mystical tradition of the hebrew religion. Through the celebration of the great festival in honor of Demeter, the. Thesmophoria, and the rites of her temple at Eleusis, women and men were given a vision of eternal life and the mysteries of the soul., the legacy of the divine feminine in Western culture lies in the great mythological themes of the quest which direct. further to the east, in India, while the vedic sages expressed with extraordinary clarity their vision of the divine ground in the sublime poetic imagery of the vedas and the Upanishads, the ecstatic poets whose traditions belonged to a culture which existed long before. Still further to the east, the wise masters of the taoist tradition never lost the shamanic understanding that relationship with Nature was the key to staying in touch with the source of life. They never followed the ascetic pratices of other religions which sacrificed the body for the sake of spiritual advancement. They were never in a hurry to reach the goal of union with the divine or to renounce the world for the sake of enlightenment. Of all the religious traditions, with the exception of those of the first peoples, they were the only ones not to split body from spirit, thinking from feeling, so losing touch with the soul.

In these she announces herself to be the source, ground or matrix of all forms of life; the fertile womb which eternally regenerates plants, animals, human beings; the life-force which attracts the male to the female; the power which creates, destroys and transforms all forms. The goddess speaks as the source and embodiment of all instinctive processes. She is the life force which is nurturing, compassionate beneficent and also the terrifying and implacable force of destruction which can nevertheless regenerate what it has destroyed., with the Iron Age, which begins about 1200. C., and the development of patriarchal religion, the story of the goddess becomes more difficult to follow as the god takes her place as the supreme ruler of sky, earth and underworld, yet in the west, the great goddesses of the Bronze age are still. Now they embody wisdom, truth, compassion and justice. They reflect the divine harmony, order and beauty of life. Inanna, isis, cybele, demeter were the focus of mystery religions which gave access in the cultures over which they presided to a deeper perception of life than that which prevailed in the popular religions of the day.

Yin yang, of airline identity

yin and yang essay

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It is food hard for our modern consciousness to imagine how life in that time was world lived in the dimension of the mother, in participation with the rhythms of her being, or how these images of her kept people in touch with their instincts, and were. In relation to human consciousness at that time, the image of the Great Mother was numinous and all-powerful. The discoveries in the territory of Old Europe and at Çatal hüyük in Anatolia and the Indus Valley show cultures as early as 7000. With a deep sense of relationship with the mother goddess, where women were engaged in all kinds of creative work that was focused on her worship, where shrines and temples to her abounded, filled with the beautiful pottery, cloth hangings and sculptures and the baked. It was in the neolithic that mountains, hills and groves became sacred and that springs and wells became places of healing. There are still places all over the world where pilgrimages are made to these sacred sites.

Deep in the psyche we carry ancient memories of the sacredness of the earth, and of the earth as Mother. This neolithic vision was transmitted to the poetry and traditions of the first peoples who are helping us now to recover our lost sense of the sacredness of the earth., the paleolithic and neolithic eras give us the earliest images of the Great Mother but. It is only in the Bronze age that we begin to hear the human voice; for the first time we can listen to the hymns addressed to the great goddesses of Sumer and Egypt. The voice of the divine feminine comes alive, speaks to us, reflected in the words addressed to the goddess which are inscribed in hieroglyphs on the walls of Egyptian temples or on the sun-baked clay tablets of Sumer. These reveal a rich mythology of the divine feminine which may already be millennia old. It is in the Bronze age that the feeling for the sacredness of life is clearly expressed in words - a feeling that is transmitted through the hymns and prayers to the goddess or where she herself speaks in the great aretalogies that have come.

All these were her children and she was the numinous presence within her manifest forms, continually regenerating them in a cyclical process that was without beginning and without end., this primordial experience of the Great Mother is the foundation of later cultures all over the. She is like an immense tree, whose roots lie beyond the reach of our consciousness, whose branches are all the forms of life we know, and whose flowering is a potential within us, a potential that only a tiny handful of the human race has. In these earliest Paleolithic cultures of which those of the first peoples today are the descendents, she was nature, she was the earth and she was the unseen dimension of soul or spirit. People were connected through her to nature as to a great being and to the great vault of the starry sky as part of this being, imagined as a great web of life. She was the invisible patterning or formations of energy whose intricate and interdependent system of relationships were respected even though they were not understood.


She was experienced as a law, a profound patterning which the whole of life reflected and obeyed in the way it functioned, from the circumpolar movement of the stars to the tiniest insect. The image of the Great Mother reflected something deeply felt - that the creative source cares for the life it has brought into being in the way that an animal or a human mother instinctively cares for the life of her cub or her child. The images of the Great Mother as a profoundly experienced life process of birth, death and regeneration develop and proliferate around many different images of the goddess. Sky, earth, and underworld were unified in her being. As bird-goddess she was the sky and her life-bestowing waters fell as the rain from her breasts, the clouds; she was the earth and from her body were born the crops that nourished the life she supported. As serpent-goddess she was the darkness beneath the earth - the mysterious underworld - which concealed the hidden sources of the water which became the rivers, springs and lakes and which was also the home of the ancestral dead. She was the sea on which the fragile boats of the neolithic explorers ventured into the unknown. She was the life of the animals, trees, plants and fruits on which all her children depended for survival. Whether we look at the goddess figures of Old Europe or those of Çatal huyuk in Anatolia, or further East, to mesopotamia and the Indus valley civilization, the basic forms are the same.

Yin and, yang - new World Encyclopedia

Is our brain a vehicle, just as all planetary life is a vehicle, of that cosmic consciousness? Is the cosmos the ultimate source of our thoughts, our feelings, our fertile imagination, our creative ideas, our musical genius? These are questions to which science as yet gives no answer but older traditions from ancient civilizations, do offer answers. As consciousness evolved, the sacred image was like an umbilical cord connecting us to the deep ground of life. From about 25,000., perhaps far longer, the image of the goddess as the Great Mother was worshipped as the fertile womb which gave birth to everything, the great cave of being from which she brought forth the living and into which she took the. To this day, the cave is still, in dream and mystical experience, the place of revelation and communion with the unseen ground of being. The earliest images of the Great Mother known to us are the figures of the goddess carved from stone and bone and ivory some 22,000 years ago. The Great Mother was imagined to carry within her being the three dimensions of sky, earth and underworld. She was the great pulse of life reflected in the rhythm of the moon, the sun, the stars, the plants, trees, animals and human apple beings.

yin and yang essay

Deep in our memory is the whole experience of life on this planet: life that has evolved over the four and a half billion years since its formation; life as hydrogen, oxygen and carbon; life as the most minute particles of matter; life as water. Finally the point was reached where planetary life evolved a brain which enabled us to speak, to formulate thoughts, to communicate with each other through language, to endow sounds with meaning, and invent writing as a way of transmitting thoughts. Over these billions of years life on this planet has evolved from undifferentiated awareness to the self-awareness of our species. All this can heartbreak be described as an instinctive process, each phase blending imperceptibly into the next. Self-awareness and reflective consciousness as we know it now is a very recent development, yet consciousness as genetic patterning present in plant and animal and human life, consciousness as awareness or instinctive reflex is carried within us as part of the reptilian and mammalian brain. From these have come the highly differentiated consciousness of the neo-cortex that we call rational mind. The ability to think, to reason, to reflect, to analyse, to store information and be able to retrieve it through memory, is itself a development of the older brain systems, and is interdependent with them, but our conscious awareness is focused in the most recently. And what are those roots? Does our consciousness originate in the greater consciousness of the cosmos?

by an invisible radiance, ensouled. Our book is a celebration of this vision. Anne baring and Andrew Harvey - review of The divine feminine, the editors. The mystic Vision bring us this beautifully illustrated overview of the way the feminine aspect of God - the "unseen dimension of soul to which we are connected through our instincts, our feelings and the longing imagination of our heart" - has been worshiped around. From the magazine wisdom chapter One, the great mother, mother and Child, robin Baring. Human consciousness has developed infinitely slowly out of nature. Before we knew ourselves as human, we were animal and plant, stone and water. For countless millennia, the potential for human consciousness was hidden within nature, like a seed buried in the earth. Then, very slowly, it began to differentiate itself from nature.

Now, to balance this one-sided emphasis, the image of the divine feminine, together with the mythological tradition that belongs to it, is returning to consciousness. It is reconnecting us to the dimension of the instinctual soul that has been shut away, like the Sleeping beauty, behind a hedge of thorns. The power and numinosity of the divine feminine are needed to arouse the will and energy to act on behalf of life and to restore wholeness and balance to our image of God and so to ourselves. It is awakening us to a new ethic of responsibility, focused beyond tribal and national concerns toward the needs of the planet., the divine mother is asking us to trust and protect life, to work with her in all we reviews do, opening our understanding. The unknown dimension of soul is our conduit to the divine. Cut off from soul, the mind becomes impoverished, rigid, dogmatic, and inflated. In compensation for this loss of relationship with soul, it becomes driven by the need for ever more power and control. The journey in search of the unknown dimension of soul, back the way we have come, toward nature and the ground of our own nature, is difficult and even dangerous because it asks that we relinquish the certainty of deeply held beliefs, both religious and. It means opening ourselves to discovery., the Grail of the feminine is urging us to open our minds to a new vision of reality, a revelation of all cosmic life as a divine unity.

What is, yin and, yang?

The divine feminine, the Eternal Feminine is our guide. Goethe, this book is a celebration of the sacred Feminine, the feminine face of God as it write has been expressed in different cultures all over the world. The divine feminine is initiating a crucial new phase in our evolution: urging us to discover a new ethic of responsibility toward the planet; bringing us a new vision of the sacredness and unity of life. Wisdom, justice, beauty, harmony, and compassion are the qualities that have traditionally been identified with the divine feminine, yet it is also the irresistible power that destroys old forms and brings new ones into being, the inspiration of the love-in-action that is so needed. The divine feminine is this unseen dimension of soul to which we are connected through our instincts, our feelings, and the longing imagination of our heart. Soul is not limited to our own psychic life. Soul is invisible nature, the immense web of relationships that is concealed beneath the veil of matter. It is something both inconceivable and immeasurable to which we belong, in which we live - an intermediate dimension between our physical world and the deep unknowable ground of being., for many hundreds of years, in the fascination with the development of mind and the.


Yin and yang essay
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