This zealous and judicious volume brims with"s and fascinating disclosures about the vagaries of the creative life. Currey outs the habits of nearly 200 choreographers, comedians, composers, caricaturists, filmmakers, philosophers, playwrights, painters, poets, scientists, sculptors, and writers in a dizzying array that includes Benjamin Franklin, henri matisse, nikola tesla, stephen King, Twyla Tharp, federico fellini, ann beattie, gustav mahler, and Toni morrison. Here are early birds and night owls, the phenomenally rigorous and the nearly dysfunctional. George balanchine thought things out while ironing. Maya angelou writes sequestered in a tiny, mean hotel room. Marilynne robinson confesses, i really am incapable of discipline.
Reviews, the, daily, star
Gospel of the misunderstood, nameless, i haunt for god feature and love / in extinct places, curve myself inside desires eye and drink. What Were reading This Summer, the heartbreaking tracing of a family history; an engrossing novel set in a womens prison; an elaborate time-travel thriller; a folk singers tender memoir; and more. As surreal as it continues to be, we are making our way through this unexpected Breast Cancer journey thanks to the support, good wishes and strong positive vibes of our generous friends, family and online/offline community. Chemo is now underway and I believe andrea is on the upswing of the first round. Its an odd Christmas but were working towards many happy Christmas seasons to come. We miss jomb, the stories, authors, illustrators, listeners, the conversations. If youd like to keep in touch, weve set up a flickr photo journal here where you can check in on our progress paper and even leave us your thoughts. Wishing each of you a very happy holiday season and a happy, healthy 2010 full of love, warmth and great memories. Be well and be happy, andrea, mark, lucy and bayla. Writers and artists are always asked about their process, including the crucial question, how do you do meaningful creative work while also earning a living? Currey set out to amass as much information as he could find about the routines brilliant and successful creators adopted and followed, and the result is a zestful survey of the working habits of some of the greatest minds of the last four hundred years.
Once anxiety enters in, the pill becomes the enemy of your body. July 5, 2018, flash Fiction. He would continue to call, not hearing her, for he disliked wearing his hearing aid around the house, where there was only the wife to be heard. July 5, 2018, more Stories, profiles, the writers unusual discipline has come close to driving her crazy. The results have been both refined and depraved. Running, in the fog of thin hope, i wander this sad world / weve made with the enemys words. Strays, you could hear all hell rattling in the cages, paper / thrashing the chains. Under the wave, out of the wildness, the branch of an oak plucked her from the water and she clung there, animal, as orange dawned over the marsh made alien with mud.
A hold-up by a couple of desperadoes, check. As they proceed, john drifts in and out of lucidity, but increasingly she seems like the one with the bad memory, looking tragically pained every time he forgets his writings own childrens names, then beaming with adoration when he finds some sustained clarity, as if his. As all this goes on — and on, and on — we learn more and more about their long marriage, which includes one great rattling skeleton in Johns closet. We also learn that Ellas first boyfriend 60 or so years earlier was black. In south Carolina, in the fifties? If she was a lifelong card-carrying liberal then maybe, just maybe. But shes fiercely republican. Like so much else in this well-intentioned but woefully disappointing film, it doesnt stack up). Personal History, breathing, thought makes swallowing pills nearly impossible.
Woes: Mirren and Sutherland, john is a long-retired English teacher now in the grip of Alzheimers disease. But like ella, director paolo virzi doesnt know quite how to handle his dementia, mining it for laughs one minute, and for poignancy the next. Meanwhile, ella is maddeningly voluble; she simply will not shut. Nor will he as soon as he finds a waitress he thinks might want to listen to his theories about Hemingway. Most dont, of course, until, waddya know, he encounters one who did The Old Man And The sea as her college dissertation. In the spirit of all bad road-trip films, the Spencers encounter just about every conceivable misadventure. A lecture from a traffic cop, check. A few dangerous swerves, check.
Zoo goes to paris parka blogs
For a high-concept fantasy to reports work perfectly, as films such as Big (1988) and Groundhog day (1993) did all those years ago, it must sweep you along, posing no questions that cant be satisfactorily answered. Every day doesnt quite achieve that. It too often trips over its own rather unwieldy premise. But it has energy and charm, and its always nice to see an resume inversion of the standard horror-film trope of good people being possessed by evil spirits. Helen and Donald's double act goes on and on and.
The leisure seeker (15 rating: Helen Mirren and Donald Sutherland, in their first film together for nearly 30 years, sounds like an enticing double-act. Mirren isnt often miscast, yet she fails to convince in this wincingly mawkish, bittersweet comedy, adapted from a novel of the same name, about a couple in their twilight years heading on one final road trip. Even with shapeless clothes and a bad wig, she looks far too spry to be an old woman at deaths door, as the script intends. And while the great Dame can essay an American accent with the best of them, it was a mistake to make her a fading south Carolina belle. Her Charleston vowels fade in and out like a radio station with a dodgy signal. Mirren and Sutherland play ella and John Spencer, who set off from their New England home in their antiquated leesure seeker, a 1975 Winnebago, without telling their two rather prissy grown-up children. Theyre heading for Ernest Hemingways house in key west, Florida.
But Funny cow isnt that kind of story. Peakes character is a survivor, and its clear that shes destined for more success than the only stand-up she knows (Alun Armstrong, in superb, lugubrious form a sad, disillusioned failure, who assures her that shell never conquer the unforgiving world of working mens clubs. Women arent funny, he says, i dont know why, theyre just not. Except she is, even if she has to tell racist and homophobic gags to prove. However, its equally clear, from early on, that Adrian Shergolds film wont end with us bursting out of the cinema feeling full of inspiration and love. It is resolutely downbeat, yet there is so much to admire, including Richard Hawleys music, a lovely turn from Paddy considine as a genteel bookshop owner, and fleeting but memorable cameos by john Bishop as an Elvis impersonator with his own hound dog, and Vic.
Teen fantasy to leave you in good spirits. Every day (12A rating: Aimed squarely at teens and young adults, every day is a romantic fantasy adapted for the screen, from a novel of the same name, by jesse Andrews. He also wrote the novel me and Earl And The dying Girl, and the subsequent screenplay for the excellent film version, so he has an impressive pedigree and it shows. Every day, directed by michael Sucsy, bowls along likably. The idea is that a benign spirit wakes up every day in the form of a different American teenager. One day it might be male, the next female. It could be black, white, fat, slim, but whatever body it inhabits, it spends 24 hours being the best version of that person it can. When it injects decency and compassion into her normally boorish boyfriend, 16-year-old Rhiannon (Angourie rice, pictured) then continues to fall in love with it in every subsequent form it takes. Aimed squarely at teens and young adults, every day is a romantic fantasy adapted for the screen, from a novel of the same name, by jesse Andrews.
Review : The, daily, poet within the words nancy
I dare say the book makes more of the bonding power of literature, but veteran director mike newell lets that message melt away as, with moderate success, he swaddles us in gentle escapism. There is nothing gentle about Funny cow, set mainly in the seventies, in which Maxine peake gives a ferocious, bravura performance as the title character, whose actual name is never revealed. She is a graduate of the school of very hard knocks, bullied in childhood by an abusive father (Stephen Graham and in adulthood by a drink-sodden husband (Tony pitts, who also wrote the screenplay). She seems imprisoned by her background. But she has a sharp Yorkshire wit and yearns to be a stand-up comedian. At first, funny cow appears to be leading us to the kind of resolution we saw in Educating Rita, shirley valentine, billy Elliot. All those films in which working-class Northerners raised to expect a life of narrow horizons are set free by their talent paper or force of personality.
More significantly, she also finds that Dawsey the pig-farmer is a bit of all right. Another mystery — why he speaks with a slight Amsterdam accent — occurs only to us, the audience. Did he grow up in the only dutch-speaking part of guernsey? That question is soon trumped by another one. Will Juliet stay faithful to her sophisticated American back in the city, to whom she is now engaged, or will she let Dawsey bring home the bacon? The answer is never really in doubt, though the film keeps us waiting while juliet is slowly gathered to the bosom of Dawseys friends, played with relish and charm by tom courtenay (lovable local postmaster wilton (stern but with a heart of gold,. Throughout all this, the score soars and simpers in all the right places, while the scenery looks absolutely radiant.
tarnished only by the memory of her parents, killed by a german bomb, plus the odd dose of writers block. But mostly she manages to have a ripping time in post-war London, leaving the management of her increasingly successful career to her handsome and urbane literary agent Sidney (Goode). He is devoted to her, and she to him, but he is gay. And not in the 1946 sense of the word. The Channel Islands are not remotely on Juliets radar until she receives a speculative letter from a guernsey pig-farmer named Dawsey adams (Dutch actor Michiel huisman who tells her about his book club and its unusual origins. Conveniently, a flashback has already explained its bizarre name, invented late at night in a country lane to justify to the nazi occupiers why dawsey and a gaggle of fellow islanders were breaking curfew. Juliet and Dawsey strike up a correspondence driven by their mutual love of books and soon she heads for guernsey to write a newspaper article about the society. There, she finds that one of the founders, a spirited lass called Elizabeth (Brown Findlay got herself into a bit of a pickle during the occupation and disappeared almost without trace. Thats the mystery with which Juliet wrestles, though no more energetically than she might grapple with a jammed typewriter key.
Lily james essays arrives in guernsey in Potato peel pie. Maxine peake with Paddy considine in Funny cow. The film is probably best described as a romance and a mystery rolled into one, not always convincingly, although it is as easily digestible as a mug of cocoa on a sunday evening. Indeed, if ever a visit to the cinema could feel like a lazy sunday night in front of the telly, thats the comfort blanket under which we are encouraged to snuggle. Pertinently, the film is also something of a downton Abbey reunion, with Lily james leading a cast that includes Penelope wilton, jessica Brown Findlay and Matthew goode. Reading my notes, i see that during one of the longueurs — and in the course of two hours-plus there are several — i idly pondered what might be the collective noun for Downton actors. Answers on a sepia postcard. My wife favours a kedgeree.
Reviews, archives, daily
The guernsey literary And Potato peel pie society (12A). Rating: Funny cow (15 rating: As if fuller The guernsey literary And Potato peel pie society were not enough of a mouthful, it comes from the producers of The best Exotic Marigold Hotel and the director of four Weddings And a funeral. The sides of buses might not offer enough space for the marketing campaign; they should consider goods trains. In fact, it was a book before it was a film, the first and only novel written by a librarian from West Virginia called Mary Ann Shaffer, who died in 2008 shortly before it was published. I cant speak for the book, but on screen it doesnt seem like a story conceived by an American. It is a thoroughly British tale, which unfolds in 1946, partly in London, but mostly on guernsey. There are occasional flashbacks to the Channel Islands in wartime, during the german occupation.