Several additional pointers: * be brief. A good length for an introductory statement is two to four paragraphs of no more than three sentences each (about 350-400 words). Tell what your art is about, what it signifies, what inspired it, or what you intend for it to communicate. Appeal to viewers; get them involved with what you're doing. Give them reasons to care. You know what's in it for you; what's in it for them?
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And what happens when you get too complicated for average individuals who like and sometimes buy art to understand what you're up to? You lose potential sales. So keep your statement and other introductory materials clear and to the point. Your goal time should be to hold readers' attention without being confusing or intimidating. You want to give them a chance to understand and enjoy your art, to at least have enough basic information to establish some sort of connection with it, to draw their own conclusions, and to learn about it at their own speed. The better people understand your statement, the closer and more involved they'll feel with your art, the longer they'll spend looking it, and the best part? The greater your chances of making sales. If you decide to rework or simplify your current statement, ask people outside of informed art circles where they get confused and how they think you might explain yourself better. Pay special attention those few brave folks who come forward and voluntarily share their feelings with you. They probably have the most well-thought-out suggestions of anyone. You don't have to do every single thing everyone says, but if you ask enough people, the types of changes you need to make will become clear.
My response is that it accurately represents what I do and, although I never say this, the ones who make these kinds of comments don't usually know that much about art. A: make your statement easier to understand (and while you're at it, lighten up on the attitude). You have to consider anyone who asks about your art as a potential buyer, and when they ask, you should do everything in your power to answer their questions. The fact that some people have difficulty understanding you or your statement could very well mean that a lot more have similar experiences as well, but just don't say anything. After all, most people keep sensitive questions or contrary opinions to themselves in order to avoid any type of controversy. Think of those who comment on the complexity of your statement as trying to help you rather than as not knowing enough about art. Many artists spend so much time around other artists and art people that they're often out of touch essays with what average buyers do or do not know. In addition, most people who buy art do not have formal art educations. Artist statements that are peppered with art jargon or artspeak may sound great to you and your friends, and make perfect sense to insiders, but mean little or nothing to everyone else.
In other words, it's fair to say that our opinion of who constitutes the greatest ever artists is strongly influenced by the culture we grow up in - another factor to bear in mind. My personal List of the top 10 Artists. Bearing in mind the above, here is my personal selection of the top 10 best artists in the history of Western Art. The criteria i have used to separate and rank these exceptional painters and sculptors are as follows: (1) Their reputation has endured for many decades; (2) They exemplify outstanding representational art - my idea of aesthetic beauty; (3) Their artworks have significantly influenced both their. Related article: How to Write your Artist Statement. Q: When anyone asks about my art, i refer them to my artist's statement, my resume, and some representative images of my current work. Several people have told me that my statement is a little hard to understand and that maybe i should simplify it a bit.
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You either love him or hate him! The truth is, each of us has our own aesthetic or stylistic preferences, be they renaissance, mannerism, baroque, neoclassicism, realism, Expressionism, cubism, surrealism or Pop-Art. One person loves abstract art, the next is wild about Dada or Conceptualism. There's no "universal" movement or style of art that commands instant admiration: no single interpretation of "beauty". All one can say, is that to arrive at a reasonable conclusion about who are the best artists, one must be familiar with a reasonable number of the world's great works of art. After that, it's diet up to the individual. The Effect of Different Cultures on Art Appreciation.
I suspect that most Western art critics know the names of very few top painters or sculptors from China, let alone japan. Even if they do, i doubt they accord them the same attention and respect as they do western artists. After all, western art - from. Classical Antiquity, through the renaissance and into the modern era - is still seen as the core repository of great art. Likewise, it's probable that museum curators and art critics in (say) beijing, tokyo, hong Kong and Singapore, have an equally strong preference for (and better understanding of) oriental painting and sculpture.
Trouble is, most of them are based on highly subjective criteria disguised as "objective fact so they often make readers feel that they don't appreciate "true art". Use these lists as a general guide of expert opinion, but don't feel pressurized into accepting it as "fact" - it's only opinion. (see also: Famous paintings Analyzed. what Art Museums say, another factor to take into account when drawing up a list of the best artists of all time, is the opinion of the world's best art museums, like the Uffizi (Florence the hermitage (St Petersburg the guggenheim, metropolitan Museum of Art. Most have online reviews of the top works in their permanent collections, along with articles and commentary on paintings and sculpture appearing in their temporary exhibitions. This data, mostly written by expert curators and researchers, is a useful source of information on the world's top creative practitioners.
(see also: Art Museums in America and. Art Museums in Europe. who Are the best Artists of All Time? It's a personal Decision! At the end of the day, determining who are the greatest ever painters and sculptors is a highly subjective, personal decision. Trying to persuade an ardent fan of Impressionism or other forms of plein-air landscape that the neo-plasticist piet Mondrian is one of history's greatest painters, is as futile as trying to convince a lover of avant-garde installation art that Raphael or Titian merit a place. Or take damien Hirst, for example.
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Easy to say, but difficult to agree upon. Also, neither the graduates of resume the best art schools, nor the greatest masters of oil painting techniques are guaranteed to become the best "artists". Great art requires more than just technical mastery. Also, how does one compare representational art techniques with those of abstracion? Finally, this standard eliminates most if not all contemporary art forms that employ conceptual or commercial art techniques. Recommended Lists of Great painters and Sculptors: too subjective! There are numerous "authoritative" art books, or online compilations of history's finest artists by top critics.
Jan Vermeer lay unknown for 200 years before being "discovered" in the 19th century: Modigliani sold his canvases for food; while van Gogh painted some 800 paintings in his last 8 years without achieving a single sale. In the light of all this, judging an artist by the views of his contemporaries seems rather ineffective. Current Public Opinion, doubtless the most democratic way of establishing who are the best artists of all time, although - given certain nationalist tendencies among (eg) the population of Europe and America - not necessarily the most accurate. The Spaniards will prefer Velazquez to rubens, the French Monet to turner or Constable, while the germans will probably vote for Albrecht Durer or Hans Holbein, and the norwegians for Edvard Munch. Across the Atlantic, i daresay the likes of Edward Hopper, paper mark rothko. Andy warhol would attract a popular following. You see my point. Artistic Technique, the painterly or sculptural methods of a candidate must be evident.
and Other, between our own cannibal and civilized selves. In a search for new methods to read the city, she focuses on the idea of public space and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. Her works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, her works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the. If that doesnt sound like, international Art English, i dont know what does). Impact of the Artist's Work on His Contemporaries. On the face of it, one should be able to gauge the value of a painter/sculptor from the views of his contemporary-artists. Unfortunately, many of the world's greatest artists died unappreciated, either by their peers or collectors.
Previously, you asked me if I could send you an artist biography of 100 words or 500 letters as quickly as possible, he writes. Unfortunately i did not succeed at this task, as 100 words seem too concise to describe owl my work and really would be limiting to the complexity of my artistic practice. Therefore, 500 letters seems to me the best idea. But, since this will take much more time than currently available, im forced to ask for a postponement. The end result, as you can foresee, is the statement generator, which he employs to write his own biography and offers up to others to use as they please. And use it, you should. Here are some highlights from an absurdly convincing statement I generated for myself: by demonstrating the omnipresent lingering of a corporate world, Steinhauer often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
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(image via, gemplers there have been artist statement generators before, and there will be more to come. In the yardage meantime, however, ive found my favorite artist statement generator of all: 500 Letters. Created by belgian artist, jasper Rigole, whos part of the art group. Voorkamer, 500 Letters is fairly amazing at what it does. This may be due to some combination of its programming and comprehensiveness. Users fill out a form that asks you to not only give your date and city of birth, but also choose your primary and secondary media, as well as the three main themes of your art. The media list includes Conceptual and I work in a variety of media, while the themes list offers Confusion, semiotics, and Utopia, among many others. The name 500 Letters comes from Rigoles letter introducing the generator, addressed to an unknown curator.