Some of these questions are not ideal questions to ask yourself when preparing your artist's statement, but one of them is on the right track! Method 2, piecing It Together 1, make a statement about why you do what you. The first section of your artist's statement should begin with a discussion of why you make art. Try to make it as personal as possible. Talk about what your goals are and what you hope to achieve through your art. 2, describe your decision-making techniques. In the second section of you statement, tell the reader about your decision-making process.
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While you should think about your art server critically, try to focus your thoughts on what you're trying to achieve and why you're doing what you're doing. Questions like "Where do i get my inspiration?" and "What motivates me?" are great starting points! "What makes my art different? Asking yourself what makes your art unique will help you get to the center of why you're making art, and what your art adds to the world. Augment this question with others like "How do i make my art?" and "What does art mean to me?" read on for another quiz question. "How much money do i want to make with my art?". Your artist's statement should be focused on what art means to you, how you make it, and what you're adding to the world. Focus on practical money-matters later. Click on another answer to find the right one. All of the above.
Free writing is another technique that can help get the creative juices going. Spend 5-10 minutes writing whatever pops into your head when you think about your art. You'll be amazed at what you come up with. Determine what you want gender people to understand. Think about what you want people to take away from your art. What message or emotion are you trying to convey? Score 0 / 0 "Why is my art awesome?
Think about how these influences have made an impression on you and how they manifest themselves in your work. Try to be as specific as possible. 3, make a mind-map. Mind-mapping is a good way to free your thinking. It will also help you to trace the relationship between different ideas. Jot down a key idea that informs your work in the center of a blank page. Then spend 15 minutes writing down any words, phrases, feelings, techniques etc. Related to that idea.
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Ask yourself what you're doing. What does your art express? What makes your art unique? Ask yourself why you're doing. What motivates you to create art?
What emotions or ideas are you trying to convey? What does your art mean to you? Ask yourself how you're doing. What do you draw inspiration from? What tools and materials do you use? 2, consider your influences. Think about the things that influence you, whether it's art, music, literature, history, lost politics or the environment.
Academia is only one part of the art world. My dislike is not for the language of artspeak, more the effect it has on the art industry in its ability to engage with a wider audience. Not to mention what such language does to the reputation of writing in the arts, as well as the wider practice of writing itself. Writing about your work should be an open and compelling activity, not a labyrinthine chore. Daniel Blight is a writer and curator who works in the education department at the Photographers' gallery follow him on Twitter @DanielCBlight and the gallery @tpgallery, this content is brought to you.
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As evelyn waugh once said: "One forgets words as summary one forgets names. One's vocabulary needs constant fertilising or it will die.". How do you structure your sentences? Keep your sentences short and learn how to punctuate them. Think carefully about adverbial phrases such as "radically questioned". Questioning something already implies a sense of curiosity and intellectual confidence, so why describe it as radical? The vocabulary of artspeak is not without meaning, but it has a specific place.
Some intend to encourage visual literacy, accessibility and open interpretations of artistic meaning, and some want cutting-edge conceptual performance art and the lingo to go with. Which words do you use? Words like ontology, epistemology and metaphysics have a meaning and a long and complicated history within philosophy. Likewise, prefixes such as meta-, post- and hyper- all mean something or other. But are they really necessary in your artist statement? Be modest about what you are trying to achieve: it is ppt unlikely that your work really "radicalises the ontology of art" so why say it does? It is okay to use adjectives that are less common in everyday conversation. Mellifluous is a good adjective and it means flowing, which is how your artist statement should read. A thesaurus is your friend.
of French philosophy was being translated into English, and a number of American and English universities incorporated this material into their research, reading lists and bibliographies. What came to be referred to as poststructuralism overtook the more formal, modernist forms of art theory and criticism that scholars such as Clement Greenberg had been writing. As a result, a way of writing about art emerged which read the way french philosophy (translated into English) does. Who are you really writing for? If you're writing a university application to undertake an ma or a practice-based Phd, you want to be writing in a different manner than if you're applying for a residency at a publicly funded institution. Likewise, if you're writing for a commercial gallery and their audience, you'll write differently than for a museum. You must consider the remit of these different places.
If you can't write it effectively, you're not part of the art world. If you're already inside but don't understand it, you're not allowed to admit it, or ask for further explanation. This kind of rhetoric relies on everyone participating without question. To speak up would mean dissolving the space between inside and outside: quite literally, the growing boundary between the art world and the rest of society. The funny thing is, summary the chat you actually hear at a gallery opening rarely uses this language. You are much more likely to hear someone say "his work has really developed since the last show" or "I really like the way that length of rope dipped into avocado green acrylic paint casts a shadow on the wall above that piece". What is the alternative to artspeak? I want to suggest some simple things to consider when writing an artist statement.
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"Combining radical notions of performativity and the body as liminal space, my practice interrogates the theoretical limitations of altermodernism. My work, which traverses disparate realms of object-making such as painting and performance, investigates the space between metabolism and metaphysics and the aporia inherent to such a discourse.". Are you impressed yet? These forms of writing are scattered across the contemporary art world. You can find preposterously complex, jargon-laden artist statements on the websites of galleries and pop-up project spaces all over the English-speaking world. If you don't believe me, join the e-flux resume mailing list. I regularly visit such exhibition spaces in London and beyond, and read with total, dulling indifference the often pompous ramblings of what Alix Rule and david levine call. This is a dialect of the privileged; the elite university educated.